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The best way to Color Grade Video Backgrounds in DaVinci Resolve


Study to color appropriate and color grade video with our free course DaVinci Resolve Color Grading for Learners. You may learn to use every essential instrument in Resolve, together with arrange your venture utilizing scene minimize detection, get clear pores and skin tones with noise discount, and create cinematic appears to be like.

This lesson is a fast have a look at creating the right atmosphere in your video background.


The best way to Color Grade the Backgrounds in Video Utilizing Resolve

Backgrounds may be tough on the subject of color grading. You continue to need it to look good, however you don’t wish to overpower your fundamental focus. Right here’s a fast run-through of how one can color grade your background in Resolve.

Here's the footage how we left it from previous lessonsHere's the footage how we left it from previous lessonsHere's the footage how we left it from previous lessons
This is the footage how we left it from earlier classes

That is the stage the footage is at from earlier classes on this course. Utilizing the jog wheels beneath our color wheels, we’ll make small changes, being attentive to the background colors and tone.

Create Distinction

Here, we’ve brought the shadows down a bit and bumped up the mids and highlightsHere, we’ve brought the shadows down a bit and bumped up the mids and highlightsHere, we’ve brought the shadows down a bit and bumped up the mids and highlights
Right here, we’ve introduced the shadows down a bit and bumped up the mids and highlights

Right here, we’ve introduced the shadows down a bit and bumped up the mids and highlights. You may see now there’s a pleasant exhausting gentle on his hand, and it melts into the background with a pleasant distinction to the pores and skin tones within the foreground. It’s most likely just a little over-saturated, although.

Desaturate

Drop the saturation so it isn't distractingDrop the saturation so it isn't distractingDrop the saturation so it isn't distracting
Drop the saturation so it is not distracting

Beneath Achieve, we’ve dropped the Saturation from 50 to 30 and you may see that’s rather a lot higher—it appears to be like much more balanced now.

End result

Before and afterBefore and afterBefore and after
Earlier than (high) and after (backside)

Right here’s the earlier than (high) and after (backside). The adjustments are refined, however you may see that the background is darker and fewer saturated now, which makes the foreground pop and attracts our focus to the place we wish it. In an upcoming lesson, we’ll have a look at ‘dialling within the look’ on the subject of the remainder of your footage.

Extra DaVinci Resolve Color Grading Tutorials

Concerning the Authors

Tom Graham created the video course that features this lesson. Tom is a multi-skilled content material creator with a background in business filmmaking.

Marie Gardiner wrote the textual content model of this lesson, and it was edited and revealed by Jackson Couse.

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