On this lesson from David Bode’s Free Final Premiere Professional FAQ Course, you’ll discover ways to export your tasks to an intermediate codec like ProRes, CineForm, or DNX.
An intermediate codec is one thing you utilize within the post-production course of. It isn’t one thing you’d usually use to ship a closing product to an finish vacation spot, however as a substitute it is used to ship an edited model of your undertaking over to another person to have it color corrected, to have movement graphics utilized, to be a part of an extended video, and so on.
While you’re working with different editors on a undertaking, you do not wish to give them a extremely compressed supply codec as a result of they will take that complete edit after which compress it once more. Intermediate codecs have much less visible loss to them than your typical supply codec. They’ve far more color info and far more bit depth, which is shades of gray in every one of many color channels.Â
There are three principal intermediate codecs which might be trade normal:
- Apple ProRes
- GoPro’s CineForm
- Avid’s DNX
Export Your Undertaking Utilizing an Intermediate Codec
Exporting your tasks to an intermediate codec is identical as exporting a supply codec—you simply want to vary the format.
- Hit Management-M on the keyboard to convey up the Export Settings window. As a substitute of H.264 or H.265, choose the QuickTime format. QuickTime just isn’t a codec; it is extra of a bucket, and inside that bucket you should utilize many alternative codecs.
- For Preset, choose Apple ProRes 422, usually referred to as simply ProRes, or Go Professional CineForm YUV 10 bit. Should you’re ever exporting graphics from After Results and so they have a clear background, you are going to want a codec with an alpha channel. In that case, choose Apple ProRes 4444 with Alpha, or perhaps go for Professional CineForm 12 bit with Alpha.
- Should you use CineForm, you’ll be able to set the standard by way of a high quality slider within the Primary Video Settings. The preset for YUV 10 bit is on 4, and it solely goes as much as 5. Each 4 and 5 are practically visually lossless, so that they’re each very prime quality. Should you use a preset for ProRes, you do not even get an possibility for the bandwidth as a result of the bandwidth is within the ProRes preset.
- While you’re achieved, simply Export as standard.
Extra Premiere Professional Assets
So now you understand how to export Apple ProRes in Premiere Professional. Listed below are extra prime Premiere Professional tutorials and sources to attempt from Envato Tuts+:
